Sergei Rachmaninoff: Concerto No. 3 in D minor, Op. 30 - I. Allegro ma non tanto
Vladimir Horowitz;New York Philharmonic;Eugene Ormandy
霍老的拉三，最棒的版本，連拉赫本人都說(shuō)，能把拉三演繹好的只有霍洛維茨
Sergei Rachmaninoff: Concerto No. 3 in D minor, Op. 30 - II. Intermezzo: Adagio
Vladimir Horowitz;New York Philharmonic;Eugene Ormandy
第二樂(lè)章
Sergei Rachmaninoff: Concerto No. 3 in D minor, Op. 30 - III. Finale: Alla breve
Vladimir Horowitz;New York Philharmonic;Eugene Ormandy
第三樂(lè)章，霍老開(kāi)場(chǎng)就彈錯(cuò)音，但瑕不掩瑜
Sergei Rachmaninoff: Piano Concerto No.2 in C minor, Op.18 - 1. Moderato
Vladimir Ashkenazy;Kyril Kondrashin;Moscow Philharmonic Orchestra
阿什肯納齊的拉二，激情洋溢，特別是主題再現(xiàn)的時(shí)候鋼琴和樂(lè)隊(duì)的強(qiáng)度和融合感把握的特別好
Sergei Rachmaninoff: Piano Concerto No.2 in C minor, Op.18 - 2. Adagio sostenuto
Vladimir Ashkenazy;Kyril Kondrashin;Moscow Philharmonic Orchestra
拉二第二樂(lè)章，古典音樂(lè)中最柔的情話
Sergei Rachmaninoff: Piano Concerto No.2 in C minor, Op.18 - 3. Allegro scherzando
Vladimir Ashkenazy;Kyril Kondrashin;Moscow Philharmonic Orchestra
第三樂(lè)章，光明的結(jié)尾與沉郁的開(kāi)場(chǎng)截然相反
Sergei Rachmaninoff: Piano Concerto No.3 in D minor, Op.30 - 1. Allegro ma non tanto
Vladimir Ashkenazy;anatole fistoulari;London Symphony Orchestra
阿什肯納齊的拉三。拉三是鋼琴協(xié)奏曲中的噩夢(mèng)，無(wú)論是從鋼琴指法還是與樂(lè)隊(duì)的配合的難度來(lái)看，都是最難的
Sergei Rachmaninoff: Piano Concerto No.3 in D minor, Op.30 - 2. Intermezzo (Adagio)
Vladimir Ashkenazy;anatole fistoulari;London Symphony Orchestra
拉三第二樂(lè)章
Sergei Rachmaninoff: Piano Concerto No.3 in D minor, Op.30 - 3. Finale (Alla breve)
Vladimir Ashkenazy;anatole fistoulari;London Symphony Orchestra
第三樂(lè)章，我曾經(jīng)有一次聽(tīng)拉三聽(tīng)到終止部的時(shí)候熱淚盈眶，這部鋼協(xié)是很讓人震撼的
Rhapsody on a Theme of Paganini, Op.43
Vladimir Ashkenazy;Bernard Haitink;Philharmonia Orchestra
阿什的帕格尼尼主題狂想曲，與樂(lè)隊(duì)融合的完美無(wú)缺，第十八變奏演繹的也是柔情萬(wàn)丈
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